As you can see from the above picture (taken from La Modette’s facebook page with Sandrine’s permission), all fabrics from this first batch are really nice and colorful. I thought for a moment of making something with this umbrella print (cause umbrellas are fun and I still can’t forgive myself for not getting some of Alexander Henry’s April Showers print), but in the end I decided to stick with the checker print (which you can see better here) that had first caught my eye. Since I don’t have much available time lately (perhaps you’ve noticed?) I knew a simple project would be best. I thought I could make another skirt similar to my brown skirt with the lace print. It has few sewing lines and it’s based on rectangles, which would work well with that kind of print, and it’s a skirt I wear quite often so I’d probably make good use of another one in the same style.

I realized it wouldn’t be so easy when I measured the fabric after washing it. I also measured my original skirt and here is how it went: my skirt has two 52×99 cm panels (not counting the seam allowances) and my fabric was 94x155cm. They was no way I could cut two panels high and large enough to make the same skirt. Since I didn’t want to chance the skirt shape, my only option was either to mix fabrics (I’m sure it would be nice mixed with a plain black) or patch smaller panels together to create the length I needed. I figured the skirt would be easier to coordinate if I didn’t add yet another color to it, so I went for the latter.

Technical details:

• I cut a first rectangle of 52 (+ sewing allowances) x 155cm, and made a second one measuring 52 x 50cm (+ allowances) by sewing together two smaller rectangles of 26 x 50cm (+ allowances). As a result 3/4 of the skirt don’t have any seams, and the last quarter has two vertical seams and an horizontal one around the middle. I did my best to sew on the squares to hide the seaming.
• as the fabric is rather light I was concerned about show through so I decided to line the skirt in a very soft cotton fabric (maybe a blend?) I’ve had for some time. Maybe it wasn’t necessary, but it had the added benefit of providing another layer to catchstitch the hem to, so that I wouldn’t have any hem stitch showing on the right side.
• the waistband is a simple 6cm height band folded and sewn with 1cm seam allowances, for an elastic band that was 1,5cm large. It was a little tight for the elastic but I think it may have to do with me not reducing my allowances after sewing.

A nice hem without any stitches showing on the outside

So what about the fabric? As a tester I have to give my opinion about it (although it’s probably easier to review a pattern…). I found it nice and easy to use and found the colors to be really nice in real life too (at first on my computer I thought the light squares were white but they’re a sort of pale salmon pink). It creases normally for a cotton poplin. I prewashed it at 30°C, Sandrine says we can even wash it at 40°C. The colors didn’t fade or bleed. It seems the fabric shrank a little bit in the direction parallel to the selvage: the squares are supposed to be 4cm by 4cm according to the website, but mine were a tiny bit less high. The fabric doesn’t fray much. There was a tiny flaw in the print in one place, but I guess it happens sometimes. Unfortunately I saw it after I had already cut my pieces, but I managed to hide part of it by moving a seam a little bit and I don’t think it’s really noticeable on the skirt.

The good:

• it was a great opportunity to take part in a nice project, test new fabrics, and promote and support a French creative woman.
• the resulting skirt is fresh and cheerful.
• I succeeded in getting the skirt I had planned, which has the right size, even if it seemed at first that I didn’t have enough fabric. It was an interesting challenge. The easy to match and regular motif clearly helped.
• The motifs match almost perfectly at the seams.
• I’m really proud of my catchstitched hem. I’m quite lazy usually when it comes to hand hemming, but I felt it would be a shame to ruin the lovely check motif with visible stitches. My stitches aren’t perfect, they’re still not quite regular, but it could have been worse, I’m getting better. It’s funny because they vary a lot in size at the beginning: first they were tiny as I was hesitant, and then as I got scared that it would take forever they got huge. XD After that I decided to be more focused and they got better.
• The lining is super soft on my legs it’s a pleasure.

First stitches: from tiny to huge

The not so good: I’m not entirely sure I made the best choices…

• I should have cut to rectangles of 47cm by 102cm and add a band at the bottom rather that cut the right length and add a vertical band with a seam in the middle of it. It’s not balanced and even if the checks match from up close you can see the seams. And I’m afraid if might alter the way the skirt hangs.
• I feel like the waist on this skirt is thicker than on my brown skirt. It’s probably because of the added lining and the fact that I didn’t cut the allowances.

Can you spot the seams?

Mr Robots says he really likes this skirt, which he finds fresh, and he thinks it fits me well. I’m wearing it right now with a black tank top. The top is fitted so it’s hiding the elasticized waistband and makes the skirt flares a little bit more under it, it looks nice. I think it looks better like this than with the shorter top I used for my outdoor picture. And it made me think of another use for this fabric: a dress in the 20′s style, in black, with a flounce in this fabric at the bottom. What do you think, would it be nice ?

I still have a little bit of fabric that I’m keeping for the perfect use. I’m even thinking about getting more of this same print in the same colors to try another idea or two that I had during this project. So maybe you’ll see more checks here soon? What about you? Will you fall into check love (this fabric is available in several colorways)? What would you make with such fabric?